Manuel Álvarez Bravo studied painting at the Academia de San Carlos. His interest in visual arts began at an early age. Both his father and grandfather, a teacher and painter, respectively, were fans of photography, which allowed him to self-teach and explore the technical aspects of the discipline and of graphics, as well. At the beginning of his career, he focused on pictorialism, and in 1930 he began working on the magazine Mexican Folkways, through which he collaborated with some of the greatest minds in Mexican muralism. From that time on, he devoted himself to the experimentation that arose in the decades after the so-called “Mexican Renaissance.” His work came to represent quintessentially Mexican elements, but also aesthetic, literary and musical observations. A humanistic outlook and attention to detail mark his work. His almost 80-year-long artistic career made him one of the foremost representatives of modern photography in Latin America.
Colección FEMSA has an image bank of the works that comprise it—a resource intended for researchers, publishers, and art institutions. The Collection is open to lending requests for shows in Mexico and other countries.
If you need a high-resolution image or would like to request a work on-loan, please send an email to coleccionfemsa@difusion.femsa.com